Broadcast-grade subtitles and dubs.
Checked by people before they leave.

Partly, and never unsupervised. We are post-production engineers who built our own toolchain: the machines run the measurable checks (reading speed, shot alignment, loudness, glossary consistency, dozens of QA gates on every delivery), and people make every judgment call. Translations are adjudicated line by line, dubs get a human listen pass, and a named senior editor signs off before anything leaves. The tooling is why a feature costs €400 instead of €4,000. The people are why it passes QC.

A person, every time. Automated checks measure what machines measure well (reading speed, timing, consistency), then an editor reviews everything they flag, watches the film with the subtitles on in the QC review system we built ourselves, and signs off on the delivery. Speed never skips this step; it is what the speed pays for.

For subtitles, yes: features up to 180 minutes, full masters within 48 hours, with the senior editor's review inside that window, never skipped. The clock starts when a producer accepts your brief, typically within one business day. A full feature dub is deeper work; plan on about four weeks. If we miss a committed window for reasons on our side, you get a 20% discount on the affected language.

Yes, and it costs nothing extra. Characters per line, reading speed limits, dash style, regional variants, locked terminology, your naming and delivery formats: send your style guide with the brief and we configure the whole pipeline to it before work starts. Every automated check then enforces your rules, and the human review checks against them too. Without a guide, we default to the Netflix spec.

Because we spend the budget differently, not because we skip steps. Traditional pricing pays for hand-timing and studio hours. We built software that does that part, and kept people for the judgment calls: translation review, the final watch-through, the sign-off. You get the same gate a studio has, minus the costs that never touched quality.

Yes. Same pipeline, same specs, priced per episode by runtime: subtitles are €100 per language for a 20-minute-plus episode and €200 for 45-minutes-plus; dubs are €1,200 and €1,800. Features are €400 and €3,500. The glossary is locked once per show and the cast is cloned once, so terminology and voices stay consistent from the pilot to the finale.

Send the original-language SRT instead. We need one of the two to lock the source-side ground truth. We don't build CCSL ourselves.

SRT is the default deliverable. TTML, IMSC 1.1, EBU-TT-D and CEA-608/708 conversions are available on request, as is SDH (sound effects + speaker IDs), at no extra charge. Two subtitle languages on the same film? You also get the bilingual stacked file free.

Yes. If the film has on-screen text or foreign-language dialogue, we deliver a standalone forced narrative track per language alongside the dialogue track, timed against the picture, with the FN events also folded into the full subtitle files, the way platform specs expect.

The original cast. We clone the actors from the film you already licensed, never local dub actors. One thing to check early: your cast agreements need to cover AI voice use, and many contracts signed before 2024 don't mention it. Send us the relevant clause with your brief and we'll tell you whether it covers an AI dub and what wording is missing if it doesn't. That check is free and happens before you commit to anything. Every delivery ships with the AI-use disclosure, ready for EU AI Act Article 50.

Yes, for the obligations that sit on our side. Every dub ships with the EU AI Act Article 50 disclosure built in: an imperceptible audio watermark, a marking in the subtitle files, and draft viewer-disclosure language for your deck. Voice cloning is original-cast-only under a written cast-consent warranty, which is what the SAG-AFTRA 2026 digital-replica regime expects of the production chain, and we review your consent clause free before you commit. The full position, question by question, is at fonti.studio/compliance.

For subtitles, we pass Netflix Branded Delivery on the first submission; that is the spec the pipeline is built against. For dubs, tell us your target contract at briefing and we'll walk you through any edge cases before you commit. And if a platform ever rejects a file we shipped, we take their QC report and make the fixes for free until it passes. That's part of the price, not an extra.

Encrypted at rest, EU-hosted, purged on your written request. NDA on request before you upload. Your master never trains a model and never leaves our infrastructure.